My practice moves between painting, performance, sculptural installation, and video, exploring ritual, transformation, and material memory. Through repetition, deconstruction, and reconstruction, I work with surfaces, objects, and the body to uncover hidden narratives.

 

The notion of repetition unfolds through transforming small gestures into larger, structured compositions. 

In painting, thread becomes a tool of movement—each stitch and mark a trace of the unseen gestures. Dark, muted tones and sculpted textures evoke a tension between order and disorder, where found materials are pressed, layered, and concealed, taking on new forms.

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In performance and video, the body becomes both medium and site. Actions, rooted in traditional domestic tasks and crafts, unravel into something unfamiliar—woven fabric is undone, hair is measured, cataloged, sewn onto canvas. Mythological figures dissolve into contemporary bodies, creating personal mythologies that blur past and present.

 

Site-specific installations respond to the architecture and history of a space, treating it as a body—wounded, healing, dreaming. These environments materialize from the interplay of the tangible and the unconscious, revealing spaces that exist beyond the visible.